Fictioning’s structure seems at a first glance very neat and straightforwardly organized – three main sections each divided into two subsections with four to five chapters, covering what the authors indicate as the three myth-functions of contemporary art and philosophy: ‘Mythopoesis to performance fictioning’, ‘Myth-science to science fictioning’ and finally ‘Mythotechnesis to machine fictioning’. Within this seemingly clear structure however all hell breaks loose.

Read my full review of this great book by David Burrows and Simon O’Sullivan here.