Projects
SPOT #1 – A.A.E. Essai 1 – Lucas Cyrille
ENSEMBLE
Currer Bell College
Workshops: Wonder Room and Talk Show
News
Alexandra Dementieva in Venice and Brussels
Alexandra Dementieva‘s work can be seen in two exhibitions in the upcoming days. The touring exhibition CYFEST-12 will visit Venice on the occassion of the Venice Biennial. The ID. ART:TECH EXHIBITION is dedicated to the ID as a phenomenon with a wide scatter of meanings – from the term in psychoanalysis (id) to the document that certifies one’s identity (ID). The show is situated around what ID represents in the world of people and things, what new meanings come to life when they interact and what this leads to. Alexandra Dementieva contributes with the… Read More
Kristof Vrancken – three exhibitions in Belgium
The work of Kristof Vrancken can currently be seen in two exhibitions. The Waiting Room is this year’s title of the group exhibition of Vonk Ateliers at C-mine, Genk that was curated by Koen Leemans. Vrancken is showing the work that he made last summer with Atelier Luma in Arles in collaboration with ENSP (Ecole Superieure de Photographie Arles) and which was earlier shown in Korea. In collaboration with the Algae Lab of Atelier Luma Vrancken developed a way to use the colour pigments of local algae to make photographic prints, and to… Read More
Perce la terre – Hantu
Pierce the earth (Original French text below) Performance performed by Hantu (Weber + Delsaux) during the study day Voice and Silence in the Arts University of Lorraine, Nancy 03 May 2019 16h15 The performance will be preceded by the workshop “Voice, Breath, Atmospheric Body” from 9 am to 12 pm with restitution at 3:45pm Small weather report of the body: spring performance. Hantu (weber + delsaux) likes to think that in changing seasons and in ancient sacred dances and songs, our bodies, sensitive to listening to invisible forces, exchange with plants,… Read More
AnneMarie Maes – Elbe Bees project in Hamburg
Today the unique Elbe Bees project by AnneMarie Maes was officially opened in Hamburg. After a ‘walk-in procession’ by a bee swarm this will live for 14 months in the beehive installed up the pillars in the port of Hamburg, close to a wild nature domain at Entenwerder 1. A digitally fabricated living sculpture is standing on top of 6m high pillars in the port of Hamburg. A similar sculpture is positioned on a rooftop in Brussels. Both sculptures host honeybee colonies and will be in communication with each other. The hives… Read More
ALCHIMIA NOVA – AnneMarie Maes solo at n0dine projectroom Brussels
AnneMarie Maes creates objects with a range of biological, digital and traditional media, including bacteria and other organisms. The Alchimia Nova-works were generated out of the interstice between nature, art and science. They make the invisible visible. She creates with a range of biological, digital and traditional media, including bacteria and other organisms. The choice of materials is a primary aspect of her artworks. The physical and aesthetic features of the materials she works with determine the forms of the individual sculptures, objects or textiles. In my practice, the concept of making… Read More
Currer Bell College
We are very happy to announce that the activities of the Currer Bell College have been resumed in a collaboration between Transtechnology Research, University of Plymouth (whose director is professor Dr. Michael Punt), represented by Dr. Edith Doove, researcher in the science and theory of art, and the Cabinet des Écarts Singuliers, of the ESDAHaR Rouen Le Havre represented by Dr. Jean-Louis Vincendeau, research professor in the theory of art (whose director general is Mr. Thierry Heynen). The objective of this reactivation of the Currer Bell College is to consolidate the common… Read More
Leonardo Reviews – Fictioning
Fictioning’s structure seems at a first glance very neat and straightforwardly organized – three main sections each divided into two subsections with four to five chapters, covering what the authors indicate as the three myth-functions of contemporary art and philosophy: ‘Mythopoesis to performance fictioning’, ‘Myth-science to science fictioning’ and finally ‘Mythotechnesis to machine fictioning’. Within this seemingly clear structure however all hell breaks loose. Read my full review of this great book by David Burrows and Simon O’Sullivan here.
Call: Agrilab – the landscape at work
From 25 – 29 June 2019, the association (n) led by Dominique Leroy and Marina Pirot, designers of collaborative projects related to landscapes, will organize the so-called Agrilab meetings. These meetings will take place on an agri-cultural site of 6 hectares on the outskirts of Nantes, with organic vegetable growers, equipped with a nomadic workshop, a greenhouse for workshops, meals and various light structures. Agrilab meetings are seen as times of interaction between art/science/landscape practices to understand and share the ecological richness of the place, its estuarine and peri-urban context. It is about… Read More
AnneMarie Maes in Seoul
As announced earlier (see post) AnneMarie Maes currently takes part in the group exhibition Brussels in SongEun: Imagining Cities Beyond Technology 2.0 at SEAS // SongEun ArtSpace in Seoul. The show opens today and Maes shows the bio-art installation Future Archaeology with which she presents artistic research results from her Laboratory for Form and Matter. In this Cabinet of Curiosities every object is the outcome of a particular experiment, with the focus on the transformative power of bacteria. The images below show the actual installation and lay out. 1. Golden Beehive (modelled after an Eucalyptus seedpod with… Read More
Neil Wood – Et toi là, attrape ton étoile
The commission of Neil Wood for the Paris Metro (RATP), a 50 metre mural installation named ‘Eh Toi Là, Attrape Ton Étoile’ located at the Charles de Gaulle Étoile hub station, now also has its official plaque. The text on the plaque reads, translated: A star under the Place de l’Etoile: the work of British artist Neil Wood proposes a random constellation in the heart of the station on a fresco fifty meters long and three meters high. A tribute to the city of lights and the Champs-Elysées, the work makes use of… Read More
